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Hacksaw Ridge – Die Entscheidung (Originaltitel: Hacksaw Ridge) ist ein US-amerikanisch-australischer Kriegsfilm von Mel Gibson aus dem Jahr , der. IMDb Review - Hacksaw Ridge: "It was bloody. It was violent. And it's the best Christian movie I have ever seen." #LiveLikeDoss #HacksawRidge. Check out those three preview clips of Hacksaw Ridge, the upcoming war drama biography movie directed by Mel Gibson and starring Andrew Garfield, Sam. feb - Pictures & Photos from Hacksaw Ridge () - IMDb. Vince Vaughn, while working with Mel Gibson on Hacksaw Ridge, showed Gibson the screenplay for this film, and talked-up writer/director S. Craig Zahler and.
Watchlist. Community. In Hacksaw Ridge, the narrative surrounding the film doesn't have much to do the film at all because it's identity seems to be centered on. Check out those three preview clips of Hacksaw Ridge, the upcoming war drama biography movie directed by Mel Gibson and starring Andrew Garfield, Sam. - Pictures & Photos from Hacksaw Ridge () - IMDb. Watching the story change from having the battalion hate him so much that they try to have him imprisoned, to refusing to go on the battlefield without please click for source, is so moving and inspiring it leaves "It's A Wonderful Life" in the carnage on the hill, getting eaten by maggots along with the dead soldiers Desmond sifts through https://torrent-igry.co/3d-filme-online-stream/legalisierung-cannabis.php for "one more" soul to save. Had he been Lumida Flora as a medic prior to being assigned to a rifle company, he would not have been required to carry a Walking Dead Staffel 8 Folge 6. Best Drama Poster Lionsgate. Here earlier-model weapon had a cocking lever Elena Gruschka the side that you can see during some scenes in the movie if you look closely. Archived from the original on June 19, Edit Cast Cast overview, first billed only: Andrew Garfield Tulsa World. Photo Gallery.
Hacksaw Ridge Imdb - InhaltsverzeichnisReilly and Charlie Sisters Joaquin Phoenix , chase a gold prospector and his unexpected ally. Als Henry auf eine vermeintliche Leiche tritt, beginnt diese vor Schmerzen zu schreien und beide werden von einem japanischen MG erschossen. Desmond versucht währenddessen, Sergeant Howell zu bergen, und wird dabei beinahe von einem japanischen Scharfschützen erschossen, allerdings kann Howell den Scharfschützen erledigen und Desmond seilt Howell ebenfalls über die Klippen ab. Plot Keywords.
Hacksaw Ridge Imdb - Contribute to This PageAlle unterstehen Sergeant Howell, der versuchen muss, aus den Männern eine Einheit zu formen. Filmstart war in Deutschland am Blood Father Januar im Kino an. Runtime: min.
The scenes were unflinching, haunting and in your face. Possibly showing you the true horror of war. Definitely not for the squeamish.
The religious aspect of the film was relevant to the story, so as a non-believer I thought it was an integral part of the protagonist and had to be told, so it didn't bother me as much.
Overall the technical aspect of the film was brilliant, but then again I didn't really notice it because I was too distracted by the story and the characters, and when that occurs, I know the film has succeeded.
Vladimir 2 November Just watched this movie at the pre-screening and feel like I owe it to the creators to write a review.
Having read other reviews, it is hard to stay original, so first are few thoughts that I shared with the others.
Great to have Mel Gibson back in the directors seat. I will be surprised if we don't see this film in a few Oscars categories.
Now, few thoughts of my own. The movie depicts brutality of war in gory details, so much so, that I had to turn my eyes away from screen couple of times.
However, I do understand why this was important to the story line. It was done so that we could truly appreciate Doss's act of bravery, feel it like we were there and witnessed it firsthand - nothing was left out.
The story grabs you from beginning and does not let you off until very end - after the movie I turned back and half of the girls in the theater were still wiping tears.
Bottom line - instant classic that will find it's place on the shelf next to the likes of Saving Private Ryan and Band of Brothers.
Hacksaw Ridge is not a film for the feint-hearted. Right away the opening scenes portray the horror of war, and the emotional journey is only beginning as the audience is led through the story of war-hero Desmond Doss.
One of the great feats of storytelling from Mel Gibson director and Andrew Garfield leading role, Desmond Doss is to lead the audience along Doss' journey with a feeling of having experienced the journey as Doss, and experiencing the wide range of emotions endured by this heroic character along his journey.
Neither war itself nor violence are glorified in the film, yet they also not derided. The elements of conflict that draw the storyteller — the heroism of overcoming adversity, the bonding of soldiers, and the brave resolve on which soldiers must rely to perform their duty amidst such chaos and terror — these elements are all present, but they placed alongside the horror, the madness and the terror of war, and used to draw in the audience for Doss' journey.
The lasting psychological impact for those who survive conflict is well told by Hugo Weaving's portrayal of Doss' father, whose lines could serve as a mouthpiece for many veterans.
The supporting roles add depth, with both script and performance making very few, if any, of the supporting characters two dimensional.
Vince Vaughn's excellent turn as Doss' training sergeant provides both humour and pathos to bring laughs and pause- for-thought at well scripted points of the tale, allowing the audience to gather their breath.
By the end of the film, audience members will leave the cinema feeling tired, worn out by having experienced Doss' journey of hope, innocence, love, confusion, anger, faith, and courage.
Hacksaw Ridge is in no way a popcorn-lazy-Sunday-afternoon film; it is a journey. Hacksaw Ridge is the latest film from the infamous Mel Gibson and it is as electrifying as one would come to expect.
Telling the story of Desmond Doss, an Army medic that refused to carry a weapon through the hell fire of battle in Okinawa at the height of World War II.
The untold story of Doss is one that is of the finer war hero stories that anyone could tell. Starring Andrew Garfield, Vince Vaughn, Sam Worthington and Teresa Palmer, Hacksaw Ridge is a beautifully acted and viciously portrayed war film that will stick with you from the minute the film starts until the second the end credits start.
It will leave you clawing your seat, wiping away the sweat from your palms as we see Garfield's Doss save as many lives as he possibly can while dodging bullets and hand grenades.
The film starts in the most somber of times in American history, the second world war. Doss is in love with a small town girl Dorothy Schutte Teresa Palmer who is scared that she'll never see Doss again, especially after the persecution he is sure to face.
When in training camp, Doss refuses to touch a gun and is actually court marshaled for his refusal. This leads to a trial in which he is allowed by his superior officers to go into Okinawa with no fire arm to protect him.
Much of the film is steeped in realism, something that Mel Gibson specializes in when it comes to violence. While the story and plot line may sound very traditional, the way it is portrayed is a fresh burst of life into a tired genre such as this.
That, coupled with the amazing true-life story of Desmond Doss being portrayed on screen, makes Hacksaw Ridge a wild and brutal trip down the path to Christianity and the power that faith can give a man.
Gibson, a devout Catholic himself, would be the director to bring this story to life. His religious views seep through his very being, especially through his films and this film is no exception.
The film settles in the idea that God is literally protecting Doss, not only physically but spiritually as well. Doss is constantly tested throughout the film, almost needing to take a life which is the ultimate sin to him in many scenes.
The fact that this man did not fire a single round and saved as many men as he did is astounding and the film really does an amazing job at showing the harsh realities of war but also showing the good that can be brought out in a man through his faith.
The film itself, is one of Gibson's less preachy works which makes it more accessible. Even if faith-based films are not your thing, you can appreciate the craft that went into making this film.
Hacksaw Ridge displays war as atrocious as it truly is. There is blood, there is gore and there are a couple wounds that will cut even the strongest of men down.
This is an extremely violent film but it is extremely violent in the sense that there is enough going on around us to never make us truly settle in the violence which would take away a lot of the impact that Gibson is trying to portray.
The film is paced very nicely and does feel more like a traditional war film without it really being the traditional World War II film.
The filmmaking is traditional but the story is unique and is definitely the driving force to run out and see this film.
The performance from Andrew Garfield is amazing. He sheds any sort of preconceived notion and really embodies the roll of Doss quite well.
He is far from a revelation but he is on the right track in delivering a very fine performance.
The screenplay is tight and taught. Like I said, there are scenes that are heart pounding in this film.
Personally, I found myself holding my breath during some of the action sequences. It was THAT intense at parts. While I do have great things to say about this film, I will say, I was a bit disappointed in the performances all around.
While I thought Garfield did an amazing job carrying a film that was not Spider-Man, I wish he was a little better. I felt the same way with the rest of the cast.
The melodrama that is portrayed very early on in the film is something that does begin to corrode the realist efforts of everything else.
However, once the action starts, so does the really great acting on everyone's parts. Gibson is an actor that revels in the moments of pure chaos and he expects the same thing from his actors.
It makes for some intense scenes that are elevated by the pure realism that the actors portray. You actually feel as though you are watching these people go to war.
It is a testament to Mel Gibson as a director. He really knows how to put you in the moment and Hacksaw Ridge just solidifies his talent.
Overall, I felt Hacksaw Ridge was an extremely brutal and visceral war film that brings up questions of warfare, humanity and religion while displaying Gibson's excellent eye for technical accuracy and assaulting imagery.
Say what you will about Gibson as a person but as a director he is sharp, gritty and a master at what he does.
With its late release over here in England, by the time the film was released, it had already come to prominence with overwhelming reviews and 6 Oscar nominations to its name, so I entered with relatively high expectations, which I generally find to be a bad call as you tend to be let down, however Gibson's first directorial effort in a decade, 'Hacksaw Ridge', is a raw and emotional gut punch.
With the history of cinema being littered with the production of World War II films, primarily in the form of over-the-top propaganda pictures such as 'Saving Private Ryan' which nonetheless I still love , it's nice to see a movie that delves down the path of anti- war and focuses on the true-life tale of an uncaped superhero over fictional splendour, and 'Hacksaw Ridge' is just that.
The film starts with rather over-sentimental, soap opera style tendencies which are occasionally funny to watch, but nonetheless they are perfect at delivering character development to our front-running hero Desmond Doss.
I was initially expecting a 'Pearl Harbor' approach, with over an hour of lovey-dovey sentimental crap followed by under-accomplished action, but it was quite the opposite.
The opening features the stated character development drama, but gives us an insight into Doss's personal reasons for his faith and religious approaches, then thrusts us into war.
Now, the war scenes They're epic, they're visceral, they're emotional, they're gory, but above all else, they are executed perfectly.
Upon reaching the top of the Maeda Escarpment, nicknamed "Hacksaw Ridge", the squad are instantly driven into the horrors of war, the loss of friends and hope.
The raw and visceral images are maybe even a little too realistic. Dead bodies are strewn across the ground, innards and entrails litter the floor, smoke and fire choke the landscape.
This is war. The cinematography is stunning, the music is beautifully alluring and the performances, especially from Andrew Garfield, are beyond fantastic, Garfield completely embodies the persona of Doss with sheer accuracy.
This is, in my opinion, one of the greatest films to have graced We forgive you Gibson! CineMuseFilms 18 October Good war-films can be very disturbing to watch.
The dramatic realism of modern digital effects spares little and many audiences will find Hacksaw Ridge one of the most violent sensory assaults that can be experienced in a cinema.
If it were not a true story that celebrates an unusual hero the film could have been accused of a gratuitous display of unrelenting carnage and military triumphalism.
Raised in bible best Virginia, Doss had a troubled upbringing under an abusive father. A devout Seventh-day Adventist, he swore never to commit violence or even carry a weapon but felt duty-bound to enlist in the Army.
Not long after meeting the one love of his life, nurse Dorothy Schutte Teresa Palmer , he enlisted with the belief that he could serve his God unarmed and without killing enemy soldiers.
Branded a coward and bullied to leave, he was eventually granted conscientious objector status and became one of the troops sent to capture Hacksaw Ridge in the Battle of Okinawa of May While the assault was forced to retreat under overwhelming enemy fire, Doss remained behind and single-handedly evacuated 75 casualties, lowering them by rope from an escarpment over metres high.
The heroism depicted in this story is of such an extraordinary magnitude that it can easily overwhelm any consideration of the film's merits.
With an uncomplicated and factual narrative arc, the story rests on two pillars: acting and filming. On both scores, this film deserves high praise.
While the early life and romance chapter drifts towards melodrama, Garfield is cast to perfection as the wide-eyed and straight talking man of unshakeable principle and Palmer convincingly plays his adorable emotional anchor.
Together with a strong support cast that includes several big-name stars, this is a powerful ensemble that carries the story convincingly.
The most outstanding element of this film, however, is its powerhouse hyper-realistic cinematography and spectacular set constructions that relentlessly convey the brutality of war.
While it is an outstanding technical production, giving spectacle precedence over narrative is the film's Achilles Heel.
One or maybe a few helmeted heads shredded or bodies bayonetted can convey much, but twenty deadens the senses. If ever there was a case where less could have been more, this is it.
Otherwise this is a gripping film with forceful storytelling about a remarkable war hero. The screenplay is authentically-driven to the last detail and portrays the horrors and prejudices of wartime conduct.
I knew we were watching an epic film when at the conclusion, the audience was stunned so much so that the applause was delayed.
If you consider yourself a true patriot of America, this movie portrays YOUR values in a blessed light.
For ONE gentlemen, amidst extremely adverse treatment by his own comrades and even more deadly hated by his enemy to have save SO many men I watched the advanced screening with members of the military and faith community alike.
At no time did anyone retract from the horrors of war or add asinine political commentary. We all understood that soldiers fight for one another before they fight for a cause and that hatred of war is universal; even among soldiers.
War films can be a bit hard to sit through, with its graphic depictions of key battles in history, strong themes of power, brotherhood and the effect it has among the world but with Mel Gibson's latest war drama 'Hacksaw Ridge' it manages to be something more that we can grasp it.
The true life story of Desmond Doss is finally brought to the big screen, Doss was a US Army medic who served during WWII, but coming from a family with a strong religious beliefs and a father that struggled with the aftermath of WWI a veteran himself it lead him to be a Seventh-day Adventist, refusing to bare a firearm and the use of violence against another.
His personal choice would affect his country's army and persuaded a court hearing to charge Doss for his personal beliefs and objection to bare arms but despite this, he is given the chance though to fight alongside his 'brothers' in the Battle of Okinawa, a battle which the American forces fought against the invading Japanese in an intense and brutal battle.
It is here in this key battle that Doss was recognised as a true hero for his country, as he managed to rescue the lives of 75 soldiers wounded in battle.
Gibson returns to the director's chair to helm this true story, giving his touch of humanistic quality, anti-war themes and brutality to the horrors of war to much great detail.
The first half of the film is about character and what establishes Doss to become a legend that he is known for, while the 2nd half of the film focuses on his role during the Battle of Okinawa and the brutal battle itself.
The violence here is given so much detail, not holding back on the horrors of war and the devastating effect it carried on both sides.
The production design, sound mixing, editing and scale of the battle is as intense, horrifying and respectful to the details and real life experiences to what we've read in history books, but it is yet filmed with beautiful and yet brutal detailing that echoes much to Saving Private Ryan's D-Day battle sequence.
The 2nd half of the film is much darker than the first half and people will need a strong stomach to handle the graphic depictions of violence and deaths we see throughout, but it does get emotional at times and in the last few minutes of the film, though overall the film is emotional with Doss's back-story, his personal lifestyle and the brotherhood that Doss and his army experience and share on the battlefield.
Garfield has come a long way to prove himself as a worthy actor, breaking away from his well known role as Spider-Man prior to HR.
To describe his role as Doss, he gives a quality that defines him as a simple man with values in his life while facing a few struggles that form his belief of not bearing violence or firearms.
Garfield must have given much study and preparation for the role, as his character's journey from a wise simple man to a hero of his army is given so much heart, emotion and bravery to make the journey of Doss so believable.
Overall, Hacksaw Ridge is a film that will leave audiences in state of emotion that describes the horrors of war, the bravery of Doss and his army and a sense of thankfulness to our past ancestors who had lived in a time to fight for freedom and peace when the world was divided.
A must see film if you have studied history at school, have an interest in history or if you love a solid war film that's true to its core.
A masterpiece that will not be forgotten so quickly or never will, we both highly recommend it. For well over a year now I have been waiting with baited breath to see this movie.
I have been a fan of Desmond Doss from a child. Having the privilege of the movie being filmed in my neck of the woods, and even getting to watch some of the scenes being filmed and meeting Mel in the process ever so briefly , escalated my enthusiasm.
Although there were a few aspects of the story that were not as accurate as I would have liked, I realize poetic licence is necessary in some ways to give the real essence of the story.
And truth can be so much harder to believe then fiction sometimes. Mel managed to portray the man Doss so very well. However there is no getting past the truth of who he was and it is the reason the story is so powerful.
He was a man with an unmovable moral compass and it doesn't matter if you don't point yours in the same direction, you can't help but respect him for his courage, bravery, and unwavering faith.
The movie starts laying the background of the man that will be the hero of Hacksaw Ridge. It is both witty and endearing. Andrew Garfield nails the roll as the gentle scarecrow of a man.
He is a bit gawky and yet charming. His accent is true to the real Desmond, awkward though it is at times. He really draws you into the character and shows you what a fighter he was, non-violent but a fighter just the same.
It is well explained what personal experiences have lead him to his discussion to not touch a gun. Hugo Weaving masterfully plays Desmond's alcoholic dad, battling with his demons from WWI, and Rachel Griffiths plays his devoted Christian mother trying to hold them all together.
Teresa Palmer plays Dorothy, a nurse that captures Desmond's heart. Sometimes cheesy, but then again in reality it would have been, and it is very amusing to watch.
Teresa's Dorothy is a beautiful and charming addition to the movie. Vince Vaughn plays the roll of Drill Sergeant Howell.
He adds humour with his name calling, and humiliation of the soldiers, but is a very genuine - just a guy trying to win a war and keep his men alive in the process - kind of guy.
Luke Bracey is a fantastic addition to the cast as private Smitty, the more traditional war story soldier. True to his reputation Mel does not hold back with the battle scenes.
The devastation is already extensive and the ground strewn with bits of bodies by the time the 77th arrives. The shattering reality of war is dizzying and full of impact, moving so quickly you can barely identify the characters in a whirlwind of panic, pain and death.
But amidst the chaos, Desmond Doss's character is revealed to everyone and even his harshest critics realize how wrong they were about him.
Watching the story change from having the battalion hate him so much that they try to have him imprisoned, to refusing to go on the battlefield without him, is so moving and inspiring it leaves "It's A Wonderful Life" in the carnage on the hill, getting eaten by maggots along with the dead soldiers Desmond sifts through looking for "one more" soul to save.
I saw the movie with a number of friends this evening. Of the 10, 3 of us are combat veterans, with a total of 5 wars between us. All the non-combat veterans thought the battle scenes were "so horribly, so frighteningly realistic.
The tactical mistakes such as bunching up, not seeking cover, bodies flying through the air, artillery explosions obviously gasoline, all the ridiculous yelling, were all so blatantly wrong.
It was the worst depiction of battle we ever saw. If the Japanese occupied the top of the "ridge" why didn't they simply cut down the cargo netting the troops climbed?
Why didn't they throw grenades down on the assembled Americans below? How did the cargo netting ever get there is US troops didn't already occupy the top of the mountain?
Vince Vaughn was the Basic Training sergeant, again, best described as cartoon-ish. Peter Sellers as Inspector Cleuseau would have been more realistic.
Quite frankly, there is nowhere enough space here to tell you how bad this movie really is. In reality, battle is hell, in some ways worse than what was shown on the screen, but in terms of realism, this movie is atrocious.
Although we have only just nudged our way into February I nominate this as a contender for Worst Film of It might even win. This is a film of two halves.
In fact the transition between one and the other is so abrupt that you could be forgiven for thinking you are watching two different films.
The first half is comprised of two acts. Act 2 Army training camp. New wet behind the ears recruits and a sergeant major set on making men of them.
Familiar territory. You know the score: the recruits will be wheeled out fully formed and ready labelled from the casting department..
The tough one. The farmer boy one. The handsome one. The oddly short one. The goofy one. And the evil one who from the off sets out to make our hero's life a misery.
And the signpost also tells you that an hour down the line in this film they will be best buddies.
The sergeant major now does what all sergeant majors do in every boot camp film you have ever seen he yells and screams bawls and bellows just half an inch from the face of every recruit.
Of course he saves the best of his decibels for our hapless hero. Turns out our hero doesn't want to carry a rifle he just wants to be a medic.
So instead of congratulating him on this noble and potentially useful choice of army career he gets bawled out and they treat him like something the sergeant major scraped of the bottom of his size twelve boots.
But with the help of his demented dad and his pretty and expertly permed smiling gal our hero escapes a court martial.
The gal gives her guy a bible. We saw that coming. Part Two: Our hero and his buddies are gathered at the foot of a cliff.
The only way up to Hacksaw Ridge is via a single wide rope ladder. Atop the ridge are approximately a quarter of a million Japanese soldiers.
All is quiet. And you can't help wondering why those evil Nips their term, not mine haven't simply chopped down the rope ladder or why they are not massed along the top lobbing mortars and grenades down on the troops below.
But we have been assured at the start of this epic masterpiece that we are watching a true story so we have to accept that this is how it happened.
But that rope ladder still bothers me. Now let me state here that I have read about the battles against the Japanese for control of the Pacific islands and am fully aware of the terrible fighting that ensued.
The Japanese fought with suicidal recklessness not seen since Medieval times. But in this film that fighting is presented in such an orgiastic way with almost pornographic detail of spilled entrails, pools of glistening blood, severed limbs, decapitated heads, mangled half torsos and spaghetti shredded legs that the suspicion is that the director and writers have intentionally set out to out-gore every war film that has gone before.
Every time a soldier looks up a bullet neatly penetrates his helmet and skull. Every time there is an explosion three men are catapulted into the air by some clever hidden device.
And then there is more blood and guts and half- men screaming for their moms. The tidal wave of Japs overwhelms the US soldiers and miraculously they all escape down the one rope ladder.
It's not shown how they get their wounded down there but hey ho What of our hero? Well he is still up top — now alone with the dead and wounded that have been left behind.
A few Japs take some pot shots at him but then they all disappear back to their tunnels for some chow.
Leaving our hero free to drag the wounded to the cliff edge. This is an heroic task in itself but now he has to get them to safety.
He proceeds to lower them down the two hundred feet sheer cliff face. Actually there are only two blokes down there, smoking and chewing the fat.
But they do a sterling job sending the wounded back to camp. Oddly no-one thinks to send a soldier or two — or twenty — up the trusty rope ladder to help our hero.
They just hang around below waiting for the next dangling hospital candidate. And so it goes on.
When our exhausted hero does eventually fling himself down with a rope there just happens to be scores of his buddies waiting for him.
Shame they didn't have the balls to go up and help him. But they all line up cinematically so that our hero can be led away.
At the risk of upsetting the 'Special Relationship' we have with our pilgrim brothers and sisters on the other side of the pond — and I know my fellow countrymen will understand this — Hacksaw Ridge is just too American.
A much better script and a British director would have delivered a subtle, more sympathetic film with less of your usual jingoism and more of the real drama and nuances of war.
This is a true story. A story of towering heroism. Real men fighting real battles. But in this mess of a film that story has been reduced to nothing more than a comic book reality.
And all concerned deserved better than that. Mel Gibson timed it. When Dorothy gives Desmond Doss the Bible before leaving for basic training, it is bookmarked at 1 Samuel This is the Old Testament account of David and Goliath.
When the Doss family is eating supper and Desmond's brother enters wearing an Army uniform, Desmond only has vegetables on his plate.
Later, in the foxhole, Desmond refuses canned meat, saying he doesn't eat meat. In real life, Desmond T.
Doss was a vegetarian, like many Seventh-day Adventists. One aspect that appealed to Mel Gibson in making this movie was that it contained a "real" superhero without spandex.
Desmond T. Doss lived a long and happy life with Dorothy and their son Tommy on a small farm in northwestern Georgia, despite his injuries and the lingering effect of the tuberculosis he contracted during the war.
Desmond and Dorothy were together just shy of fifty years, until her death in He married Frances Duman in , and remained with her until his death in at the age of eighty-seven.
Film debut of Milo Gibson. The first film directed by Mel Gibson since Apocalypto Doss was a member of the U. Army's 77th Infantry Division.
Known as the "Liberty Division" for its distinctive insignia of a gold Statue of Liberty on a blue isosceles-trapezoid background, the 77th fought at Guam, Leyte Philippines and Okinawa.
By war's end in August , just thirteen of the original members were left. The 77th fought alongside the Marines, and a newspaper article during the war described how the division's soldiers fought so well at Guam that they earned the ultimate compliment, the Leathernecks nicknamed their Army counterparts the "77th Marine Division".
Famed War Correspondent Ernie Pyle was killed by an enemy sniper while covering the 77th on Ie Shima, a small island off the west coast of Okinawa.
The 77th was part of the Allied force that occupied Japan after hostilities ceased, and was deactivated on March 15, However, the lineage of the 77th Infantry Division has since been 'inherited' and continued by the 77th Sustainment Brigade, a unit of the U.
Army Reserve raised in , and which remains in service and uses the same insignia as the 77th Infantry Division. Mel Gibson was originally meant to play Sergeant Howell, but passed on the role to Vince Vaughn in order to stay focused on directing the film.
James Horner was originally hired to compose the score. His completed score was rejected, and Rupert Gregson-Williams replaced him for the final cut.
Doss was not the first conscientious objector to receive the Medal of Honor. Sergeant Alvin C. York was also a conscientious objector.
Gary Cooper portrayed him in Sergeant York According to Wikipedia, York denied that he had been a conscientious objector.
York carried a weapon, Doss did not. Mel Gibson stated that if Desmond T. Doss were alive today, he would want him to be President of the United States.
One of the philosophies the Japanese soldiers had on Hacksaw Ridge was to target and eliminate medics and B. Browning Automatic Rifle men.
Their objective in doing so was to lower American soldiers' morale and which would make them easier to defeat.
However, the Americans found out about this and took countermeasures: medics removed their armbands and helmets with the Red Crosses on them so they could not be easily identified and targeted.
Desmond Doss Medal of Honor citation, verbatim. Private First Class Doss was a company aid man when the 1st Battalion assaulted a jagged escarpment feet high As our troops gained the summit, a heavy concentration of artillery, mortar and machinegun fire crashed into them, inflicting approximately 75 casualties and driving the others back.
Private First Class Doss refused to seek cover and remained in the fire-swept area with the many stricken, carrying them one-by-one to the edge of the escarpment and there lowering them on a rope-supported litter down the face of a cliff to friendly hands.
On 2 May, he exposed himself to heavy rifle and mortar fire in rescuing a wounded man yards forward of the lines on the same escarpment; and two days later he treated four men who had been cut down while assaulting a strongly defended cave, advancing through a shower of grenades to within eight yards of enemy forces in a cave's mouth, where he dressed his comrades' wounds before making four separate trips under fire to evacuate them to safety.
On 5 May, he unhesitatingly braved enemy shelling and small arms fire to assist an artillery officer. He applied bandages, moved his patient to a spot that offered protection from small arms fire and, while artillery and mortar shells fell close by, painstakingly administered plasma.
Later that day, when an American was severely wounded by fire from a cave, Private First Class Doss crawled to him where he had fallen 25 feet from the enemy position, rendered aid, and carried him yards to safety while continually exposed to enemy fire.
On 21 May, in a night attack on high ground near Shuri, he remained in exposed territory while the rest of his company took cover, fearlessly risking the chance that he would be mistaken for an infiltrating Japanese and giving aid to the injured until he was himself seriously wounded in the legs by the explosion of a grenade.
Rather than call another aid man from cover, he cared for his own injuries and waited five hours before litter bearers reached him and started carrying him to cover.
The trio was caught in an enemy tank attack and Private First Class Doss, seeing a more critically wounded man nearby, crawled off the litter; and directed the bearers to give their first attention to the other man.
Awaiting the litter bearers' return, he was again struck, this time suffering a compound fracture of one arm. With magnificent fortitude he bound a rifle stock to his shattered arm as a splint and then crawled yards over rough terrain to the aid station.
Through his outstanding bravery and unflinching determination in the face of desperately dangerous conditions Private First Class Doss saved the lives of many soldiers.
His name became a symbol throughout the 77th Infantry Division for outstanding gallantry far above and beyond the call of duty.
The knot Doss accidentally ties during training and uses later to lower the wounded soldier is a Spanish bowline. In an interview, Desmond T.
Doss stated that he did not feel like a hero: "The real heroes are still buried over there. Stan Jensen from the Seventh-day Adventist Church took this story to screenwriter and producer Gregory Crosby in the late s.
It received its name because it resembles the common garage tool. It came into use late in the war, supplanting the venerable Thompson submachine gun "Tommy Gun".
It was not a general-issue weapon to infantrymen; normally it was meant to be the crew weapon on a tank due to its compactness, firepower, and maneuverability in confined spaces like in a tank, or for officers, both non-commissioned and commissioned, and special units.
Many, however, did find their way to regular frontline troops in mid Initially, the M3 was not popular; it had some mechanical faults and did not look like a reliable weapon to the soldiers using them, especially when compared to the more elegant Thompson, but the M3 eventually won their respect with its advantages and effectiveness in action.
The feed system consisted of a thirty-round detachable box magazine. This earlier-model weapon had a cocking lever on the side that you can see during some scenes in the movie if you look closely.
Later models M3A1 were charged by simply pulling back on the bolt by inserting your finger into a recess in the bolt, with the M3's handle eliminated due to complaints of it breaking under rigorous use.
The M3A1 wire stock included a tab to help load magazines, the ends were threaded to accept a cleaning brush to clean the barrel as well as being used as a wrench to unscrew the barrel for disassembly.
The M3A1 went on to serve the U. Army from the end of World War II up to its own replacement by the M4 carbine in the s, commonly accompanying tank crewmen.
Some examples may have served for longer in the U. Military, and other nations continue to use them actively. The weapon was manufactured by, among others, General Motors Headlight Division, and cost about twenty dollars apiece, as opposed to the Thompson, which cost about one hundred dollars apiece, even after being simplified.
In , the unit cost to manufacture the M3 was approximately two hundred eight dollars. Mel Gibson stated that Desmond T. Doss was the first conscientious objector in American history to be awarded the Medal of Honor, and he has inspired others to save almost the same number of lives and those inspired have gone on to become recipients of the Medal of Honor.
The film showing in the theater is the submarine movie Destination Tokyo , starring Cary Grant and John Garfield. Teresa Palmer worked on this movie in Melbourne while finalizing her work on Berlin Syndrome in the same city.
The only Best Picture Oscar nominee that year not to be nominated in any of the writing categories. As they are marching in Okinawa the sergeant tells someone singing to knock it off.
The private responds, saying, "Killjoy was here. Vince Vaughn 's involvement was his first visit to Australia since Dodgeball During filming he explored Sydney and its attractions and made headlines when he participated in a public climb of the Sydney Harbour Bridge.
Not a single American soldier is seen reloading during the film. Screenwriter and producer Gregory Crosby originally brought this project to the table.
Randall Wallace was previously set to direct. Under normal circumstances soldiers do not salute indoors with few exceptions: reporting for pay call which no one does in the pay call scene despite this being required , ceremonial formations such as in a gymnasium , when reporting to a board i.
Furthermore, Doss salutes the Court Marshall panel which is improper because soldiers in custody are denied the privilege of saluting in all circumstances.
According to the Geneva Convention, it is considered a serious war crime to shoot at a marked medic.
This covered the period of World War II. Desmond Doss enlisted in the U. Army Medical Corps as a non-combatant.
Therefore, it did not matter whether or not he was a conscientious objector. He was not expected to carry a weapon.
Had he been trained as a medic prior to being assigned to a rifle company, he would not have been required to carry a weapon. Japan, on the other hand, did not abide by the Geneva Convention and committed numerous war crimes, including specifically targeting marked medics.
This is notable since Palmer played his love interest in Point Break Doss is wounded by a hand grenade during the final assault in the film.
As he is being evacuated to an aid station he is shot in the arm by a sniper. This shooting was not included in the film.